My first new “Palindrama” in 8 years! Between 2007 and 2009 I did a weekly webcomic, “Palindramas: Palindromes, Cartoonified.” Each week I created a cartoon built around an original palindrome. The entire text of the cartoon might be a palindrome, or just the punchline or caption. Formats varied between strips, panel gags, and full comics-pages (or even multi-page stories), and even a couple of animated GIFs. You can see some of them here. After a while, my brain started to hurt from coming up with these things, so I retired Palindramas. But this year, seeking a submission for the anthology, “One Page Stinkers,” I decided to try my hand at palindrome comics again. I came up with two Palindramas, to fit the theme “heat wave.” You can see it in the latest issue of the anthology… or right here:
(This is a diary of the process of creating chapter 3, updated bottom-to-top. So, if you want to follow the whole thing beginning to end, start at the bottom and scroll up)
July 10-13: page 7
For once, this page worked out on the first try. Here are the finished inks, as the kiss commences:
July 5-6 (and peeking ahead to July 23): page 6
This is relatively straightforward compared to what came before, because it’s a “closer-up” view of the couple, meaning less background (phew!). The boy leans in for a kiss, puckering up.
My last rough in the mock-up was extremely close, but I decided to move back to a medium view, so as not to lose the body language. Started with a couple of sketches/roughs:
Then launch into a final version…
Not happy with this so I abandoned it. It felt to me a little like the direction of his “lunge” was wrong, like he was going to miss her. Also I had him too close, and I didn’t like the way his nose overlapped with her hair. So try again:
I decided also to not make the background shading a uniform gradation (referencing the lamplight from above-right, and getting darker as it moves to the lower right corner), but left light between their faces, so as not to mess up their contours, and let the “light” between them work emotionally.Continue reading →
A 1950s shojo manga I bought online from a Japanese auction site, a relic of the era of kashihon, inexpensive rental libraries through which many manga books were distributed in impoverished, post-war Japan.. “Hoshizora ni uta e ba (If You Sing to the Starry Sky”) by Masai Akiyosha. Here are select pages, and my non-Japanese-reading commentary/ guesses at what’s going on. First, the cover and page one of the story.
The cover appears to be by a different artist than the interior. Perhaps 勝山ひろし – KATSUYAMA Hiroshi?
This post will contain all the material that I produce while working on the 2nd chapter of my comic Lunatic: from thumbnails and sketches to finished pages. Lunatic is a wordless story, with one image-per-page. I’ll add new material to the top of the post as I do it.
April 19-May 5: Crawling to the Finish Line
Other nuisances of life interfered, and it took me ages to do the last page I had to do. Not actually the last page of the story, but a transition page, to indicate that it’s morning in the last sequence. It’s a repeat of an image I’ve drawn twice now, of the exterior of the girl’s house, roof, chimneys etc. I’m getting kind of bored of drawing it, so I want to come up with something fun to do with this “morning” version. A different angle, to begin with. First, a light pencil sketch, just for composition:
Thinking of ways to make it interesting, I think of using masking fluid to define the clouds, with a light wash for the sky, shading the clouds to show the dramatic light of the sunrise. A bunch of wash studies:
Letting the ink wash pool up at the bottom (on the tilted drawing table) accidentally makes that “burst” effect happen when it dries. I decide to try and make use of that for the sunrise itself.
On to the final version. The masking fluid is gooey stuff and hard to apply with precision. I don’t really want to muck up a brush with it, so I used a pencil eraser to draw the cloud shapes with it:
Brush on the washes, sloppily so that it pools up just above the roofline.
Once this is all dry, I peel off the masking fluid, so that there is a white edge to the clouds, with the darker shading in the middle.
Ilm not sure if the wash effect feels like a sunrise… or is the building on fire? But I’ll go with it for now. It doesn’t have the dramatic lighting that I want, though… so I add more gray wash to the front of the building, and some cast shadows on the roof:
Good morning, right?Continue reading →
Juliette: les fantômes reviennent au printemps (Juliette: the ghosts return in spring) is a 240-page French graphic novel, published by Actes Sud in 2016. I don’t know much about Camille Jourdy : she’s done a lot of children’s books, and had a previous series of bd albums, Rosalie Blum, which I guess was successful, since it was adapted as a film as well.Continue reading →
As I said, I wasn’t satisfied with the baby’s expression on page 8, so I drew it over. I could have just redrawn the face and paste it in on Photoshop, but I really want the pages to be presentable as originals as well.
Anyway, this marks the end of the first chapter of “Lunatic,” in which the main character is an infant. I’ll now move on to Chapter 2, which will start with a lot of thumbnails and studies…
Okay, enough prep… ready to start on those last two pages of the chapter.
…and NOW ready to go. I will do the two-page sequence, of baby seeing the moon / baby reaching for it. Pencil, conte crayon and India ink, with white acrylic for corrections: Drew the second page first (page 9, in the current layout), because it was the one I was more nervous about getting right:
…and I think I did get it right. I wanted them to be exactly alike in terms of composition, so I used the light table to lightly outline, then took it off the light box and went ahead with conte crayon and ink on page 8:
I like the picture, in and of itself… but I don’t think I got the expression right. The transition from 8 to 9 is to much. The first page should show her beginning to react to what she’s seeing, leading in to the gesture on the next page.
This might seem like a bad day to be drawing babies (before we inaugurate one tomorrow), but doing some studies for the “reverse shot” from the moon: the babies’ reactions. Lots of sketches, trying to work out the composition, and, importantly, that reaching gesture. And the facial expression.
I’ve fallen off the “post every day” wagon this week, so here’s the work I did for this story over several days:
Continuing to work on the moon images for this sequence, as the clouds move over it, and the face is revealed. I had penciled the final image (page 7, if the current layout holds), but I went back to work out the previous two (mostly so that I could have the cloud shapes consistent). These are all done with black, white and gray acrylic paint, and conte crayon for the clouds. A first try at page 5:
I decided to reject this, because I wanted more clouds in the frame. Next try:
This (above) is after touch-ups in Photoshop, to darken the black and flatten out the texture of the black acrylic, as well as the warps in the page, which showed up clearly in the scan (as you can see in the top image).
I decided that the eye and smile were too pronounced here (spoiling the impact of the “reveal” on the next page. So I went back in with white acrylic and obscured them a bit:
With these done, I went back to ink the final image of the sequence:
Over the next few days (the holiday weekend), I only managed a couple scribbled sketches. Since I decided to draw the baby reaching for the moon (literally), after the face appears, I had a new idea for a final page of the sequence, baby’s point-of-view with her hand in the foreground. Here is scribble of it, with some scribbled thumbnails next to it as a bonus:
I’m thinking that image might work better without the architecture between hand and moon, just black.
Then, unable to sleep one night, I did a few more sketches, some in preparation for finishing up this baby/moon scene, others in anticipation of the next scene to come. This is all quick and dirty, but I’m being a stickler for completism — and also, these little scribbly sketches are an important part of the process. So:
Preparing to draw what (I think) will be page 7. I don’t really know for sure how the pages will be ordered: though I have a plan, it might very well not hold. Since it’s one image per page, I think there will be a process much like film editing, where I have the “shots” and can play with different ways of ordering them.
Anyway, I felt a little uncertain of some of the perspective (though I’ve drawn this same scene several times by now), so I did a free-hand perspective sketch of the location:
The part I’m finding tricky for some reason are those brick things that slant down the roof from each chimney. But I think I have it, more or less, so here is the penciled drawing for page 7:
That’s all, folks (for today)!