Just a lil time drawing yesterday… which is INFINITELY better than none at all, as I now realize/knew perfectly well all along. Still sort of retracing my steps to get back to where I was a month or so ago. Re-drawing the baby looking up at the moon, but also trying to refine the expressions ( it will be a sequence of 3 reactions, with subtle changes)
Well, for those of you who remember, I resolved to post every day’s work in my progress on this project. Last post was over a month ago. I didn’t stop posting…. I stopped working.
I guess that’s one thing about posting as you go, you have to reveal the embarrassing lapses in work habits. Not that I was blocked or anything, just one thing or another got in the way, most of it unavoidable… FOR NEARLY SIX WEEKS!
I was doing so well, too…
Getting back into it is really hard. Especially since this is kind of an experimental project for me. But, enough complaining. I dug up the sketches, and photo reference and stuff I had left lying around (to be covered over by the sifting sands of time)… and at least noodled around and did some sketches and thumbnails.
Had to remember how I am going to draw my protagonist, at various ages…. Fiddling around with her intense expression when she’s at work on her invention. And (earlier) the scene where she is kissed on a park bench. Plus more baby and young-girl looking at the moon faces.
And thumbnailing out the first chapter. I actually find thumbnailing this one-image-per-page layout very challenging, trying to envision the spreads. Also, thinking now that maybe I will actually break my one-image-per-page rule when needed. For instance in the sequence where the face gradually appears on the moon.
Seventeen acclaimed alternative cartoonists explore and celebrate the work of the legendary mid-20th century author Shirley Jackson (“The Lottery,” The Haunting of Hill House, We Have Always Lived in the Castle), including Colleen Frakes, Katie Fricas, Annie Murphy, Josh Simmons, and Maggie Umber. Edited by Ignatz Award-winner Robert Kirby and published by Dan Mazur’s Ninth Art Press.
I published this book (in my Ninth Art Press costume), and I’m also a contributor (gee, they accepted my story!). Here’s the first page of my piece:
Sharing the table with me will be my amiable and talented friends, Jesse Lonergan (who will bring his newsprint epic Hedra)….
I’ll be at the Ninth Art Press/Dan Mazur table (because, y’;know, I am Ninth Art Press) at Boston Comic Con this weekend: August 12-14, table D724. Sharing with me will be the great Jesse Lonergan, who’ll have a selection of prints, along with the magnificent HEDRA. And we’re right next to the Boston Comics Roundtable table (D723), with its world premiere of BOUNDLESS (which I have a story in). Here’s what’ll be on my table:
art by Jesse Lonergan, story by Dan Mazur
More photo reference and sketches, for the baby in the pram:
I decided I don’t want to do more detailed sketches. Getting a little burnt out on that, and also worrying about losing the spontanaeity if I expend too much effort drawing non-final images. For this chapter, I think the next image I draw will be intended as final, not rough. Even though I’m still a little undecided on certain things, I think it’s better to work it out when I know it’s gonna count. Just to avoid that feeling of not being able to capture what I liked about the rough version!
As far as the different media/effects I’ve been bouncing around with: Charcoal or conte crayon, acrylics, ink-splatter…. For now, I think my system is no system, just find the best medium or combination of media for each image/page.
Also, might be a bit of an interruption in this process… next week I need to spend time laying out the Shirley Jackson book, drawing an illustration, then Monday going away for a week. So, probably not much progress on “Lunatic” until August….
Sketches for page 3… actually more than just page 3. There are 4-5 pages “cutting” between the moon looking down, the baby in her pram looking up.
More messing around with different media and techniques… I liked the splattering, so maybe it’ll work in this image too:
Well… no. The spattering doesnt really make sense here. And I don’t think I got the composition of this page right, either.
I switch to charcoal pencil:
Ah,. yes. this has the feel i want, and i like the expression. Not right in all the details, but it has the feel…. Let’s try that again:
Nope. Sometimes it’s so hard to reproduce what works well in a sketch. This one just didn’t have it, so I abandoned it. Maybe the angle on the pram was going to work a little better. I call it a day. I’ll be back.
I’ve been trying to figure out how I want this book to look. I’ve come to the “conclusion” that what I am after is images with rich and interesting textures. Maybe from conte, maybe some kind of paint. Maybe using ink-spattering? I’ve never done that before (well not since i was 16 or so), so I played around with it today:
I need to work on my toothbrush-flicking control.
More photo reference:
The first chapter is seven pages. Each a single image, so if I was drawing this as a regular panel-page comic, it would probably be one page, or maybe two. I don’t have to thumbnail page layouts, but I realize I do have to think more than usual about spreads and page turns. I thumbnailed the 7 pages out with that in mind (spoiler alert: this is totally illegible):
The chapters are mostly short like that, but longer toward the end. If I was doing this as a standard comic, it might be about… 9-10 pages? But in this format, maybe about 45-50 pages.
Besides that, I worked exclusively on sketches for page 2 today:
The composition probably more like that last one, though now that I see it, it looks a little cramped. Maybe the one above is better.
Not sure yet about the style this will be drawn in. For this page, I want the background to be looser, not to command too much attention away from the figures, and hopefully emphasize the pram over the nursemaid….
This is the last batch of drawings from a trip to Provincetown last month.
After trying to draw moving water over and over, it was nice to switch to leaves and grasses, which hold relatively still. This one was ink-wash (using the rotring pen and its non-waterproof ink, then a brush and water to create the wash):
Switching to watercolors. Not very happy with the result. I wanted to draw the grasses, but somehow got hung up on the “background,” the walkway with its flat stones. The only part of this I really like is the yellow-ish grass running down the right-center of the picture.
I decided that if what I wanted to draw was the tall grasses, I wasn’t obligated to draw any background, I could just leave the white page. Better:
And then decided to use pencil a bit, I guess it freed me up from drawing as much with the brush, and I could just use the watercolors to color:
Not sure if this one was finished, but it’ll have to be: